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Film-Maker Issues $1M Challenge to Museum to Repeat Radiocarbon Testing of the 'Shroud of Turin'

EditorDavid — 2022-04-17T19:11:00+00:00

"It was one of the most eagerly awaited scientific announcements of all time, and it pitted the world of faith against the world of rational thought, under the glare of the media," remembers the Guardian. So when cutting-edge carbon-14 tests found that the Shroud of Turin was a forgery, it seemed like the final chapter for a relic that had been revered for centuries as the cloth in which Christ's body had been wrapped when he supposedly rose from the dead at the first Easter almost 2,000 years ago. But one man — David Rolfe, a film-maker whose documentary The Silent Witness had brought the shroud into the public eye in modern times, and who had converted to Christianity as a result of his research — wasn't prepared to give up on it. He was convinced the carbon dating, carried out in 1988 under the direction of the British Museum and Oxford University, had been flawed. And now he claims he has the evidence to prove it. This week sees the release of a new film, Who Can He Be?, in which Rolfe argues that, far from the shroud being a definite dud, new discoveries in the past few years have again opened the question of its authenticity. So convinced is Rolfe that he's issuing a challenge worth $1m to the British Museum. "If ... they believe the shroud is a medieval forgery, I call on them to repeat the exercise, and create something similar today," he says.... The sample used for the tests, Rolfe argues in his new film, was too small and taken from a corner where the shroud was likely to have been repaired over the centuries.... When it comes to the carbon dating, he's certainly not alone in his scepticism. Barrie M Schwortz, a photographer who documented the shroud in 1978, says "murky" would be a good word to describe the events of 1988. "Today there are at least six peer-reviewed scientific articles that challenge the results of the carbon dating," he says. In his view, the players involved were in a hurry to get the job done, because they wanted to get carbon dating on the map. "Those tests made it a household name, and today it's used widely in archaeology," he says.... The British Museum is less willing to get involved this time around. "Any current questions about the shroud would be best put to those who currently care for it in the royal chapel of the cathedral of Turin," a spokesperson said.

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Film-Maker Issues $1M Challenge to Museum to Repeat Radiocarbon Testing of the 'Shroud of Turin'

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